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ARTIST STATEMENT

NO HAGO ESCULTURAS COMO OBJETOS; CREO PUENTES INTERNOS.

A TRAVÉS DE MORFOLOGÍAS ESTÁTICAS, MI OBRA HACE VISIBLE LA FINITUD DE LA VIDA.

FORMAS FUNCIONANDO COMO ESPEJOS DE INTROSPECCIÓN, ORIENTADOS A LA TRANSFORMACIÓN INTERIOR.

My practice explores transformation as a material, temporal, and human process. I approach sculpture as a space where past and present converge, combining ancient techniques, newly developed materials, living processes, and contemporary technologies to construct conditions rather than fixed forms.

I work across a wide range of techniques and materials. Some works emerge from ancient or traditional sculptural methods, while others involve biomaterials developed in the studio, biological growth, or experimental display systems.

 

This coexistence is intentional. Historical techniques establish a relationship with the past not as something to remain attached to, but as a site of reflection from which a conscious present can emerge.

Abstraction and figuration coexist in my work as parallel languages. I reference classical sculptural forms while deliberately disrupting them through unconventional materials, technological interventions, and the breaking of traditional sculptural rules. In doing so, the work resists nostalgia and instead proposes transformation as an active condition.

In projects involving living materials, such as mycelium or other studio-developed biomaterials, authorship becomes shared. I begin with a clear sculptural intention, but once the process is activated, the work evolves beyond my control growing, decaying, and reconfiguring itself over time. This reflects a conscious surrender: an acknowledgment that while external forces cannot be controlled, our mode of engagement with them remains a choice.

My works invite us to confront what we avoid, overlook, or do not yet know about ourselves. I understand this inward movement as a form of inner transformation, and I believe that collective inner transformation has the potential to reshape how we relate to one another and to the world.

Ultimately, my practice proposes art as a space for real transformation: a pause within accelerated contemporary life, where technology often responsible for distancing us from presence and reflection is redirected toward reestablishing awareness, connection, and responsibility within both human and non-human systems.

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