My practice investigates the relationship between human and non-human systems through sculpture made with living materials. I create works that merge fine art and biology, using mycelium as both medium and metaphor to explore transformation, interdependence, and regeneration.

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 I begin with a deliberate sculptural concept, shaping forms that embody human intention and control. Once introduced to the living organism, however, the work evolves beyond my direction — growing, decaying, and reshaping itself. This process becomes a collaboration between artist and nature, where each stage of change redefines the piece both materially and conceptually.

 

The result is never fixed; like life itself, it exists in continuous transformation. By working with mycelium, I embrace impermanence as an essential part of creation. The living material determines its own evolution, and in doing so, challenges our perception of authorship, control, and permanence.

 

My process reflects a conscious surrender — an acknowledgment that while we cannot control external forces, we can choose how we engage with them.

 

Ultimately, my work seeks to reconnect art and nature, prompting reflection on coexistence and symbiosis. Through this dialogue between the human-made and the organic, I aim to inspire awareness of our place within living systems and the potential for a more harmonious way of being.